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SLIPKNOT and STONE SOUR frontman Corey Taylor has released the official music video for his single 'Samantha's Gone'. This time around, Corey invited his friends to join him on-screen, including Tom Sandoval of Bravo's 'Vanderpump Rules', actor Dean Cameron ('Summer School', 'Ski School', 'Straight Outta Compton'), STEEL PANTHER, plus actor Greg Grunberg, Ace Von Johnson, Travis Miguel and Jonah Nimoy.
About the visual, Taylor told Bravo's 'The Daily Dish': 'The video for 'Samantha's Gone' served two purposes: making fun of so-called 'indie rock' bands and getting all my friends together to hang out and have a good time. We all went back and forth between having fun and social distancing. Watching the first 'band' was great, then being fired from our OWN song in favor of STEEL PANTHER was the icing on the cake. [I] can't wait for everyone to see it!'
Taylor recently made history as he reached No. 1 at Active Rock Radio with his powerful single 'Black Eyes Blue'. The achievement put Taylor in a class all his own, making him the first artist in the history of the format to reach No. 1 with three separate projects, following chart-topping efforts from SLIPKNOT and STONE SOUR.
'CMFT' made impressive debuts on charts around the world in October, entering at No. 1 on Billboard's Current Hard Rock Albums chart, while claiming No. 2 on Current Rock Albums, No. 6 on Vinyl Albums, and No. 9 on the Top Albums charts. Furthermore, 'CMFT' landed Top 10 on the official album charts in Australia, Germany, Switzerland and Austria, with Top 20 debuts in the United Kingdom, Finland and Japan (international chart).
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People - Kacey Musgraves Kacey Musgraves performs during the first weekend of the Austin City Limits Music Festival in Zilker Park on Oct. 6, 2019, in Austin, Texas, left, and Ruston Kelly performs at the Bonnaroo Music and Arts Festival on June 15, 2019, in Manchester, Tenn. Musgraves and Kelly have filed for divorce. Stream original movies and full episodes of TV shows on Lifetime Movies. Ruston Street Clinic is in Ruston Street, London. You can view a list of neighbouring businesses by going to the Ruston Street page. If you would like a list of other clinics - n.h.s. Hospitals & medical establishments listings throughout London, please visit the section of this website.
Featured in Rolling Stone's 'Fall Album Preview 2020,' 'CMFT' has been garnering widespread critical applause, with Forbes affirming, 'Corey Taylor's singing is undeniably the best it's ever been. From SLIPKNOT's last album to his new solo material, Taylor is easily among the best sounding rock singers alive.' Kerrang! raved, 'Corey Taylor certainly couldn't have predicted how important a sense of uninhibited joy would be on his debut solo effort, it's just what 2020 needs — and, even more importantly, exactly what he delivers.' The Daily Beast attested, ''CMFT' finds the singer broadening his horizons and showing off his considerable versatility,' while Stereogum noted, 'Corey Taylor's lived several lives in the span that it takes most of us to push through just one, and it's clear that he cherishes every experience he's had so far.' New York magazine added that 'CMFT' 'bridges his vast tastes and influences, dabbling in punk rock, metal, reflective acoustic tunes, plaintive piano ballads, and hip-hop, with Taylor's power-house vocals and introspective lyrics acting as a guide.'
'CMFT' is highlighted by the singles 'Culture Head', 'HWY 666', 'CMFT Must Be Stopped' (featuring Tech N9ne and Kid Bookie), and the Active Rock radio hit 'Black Eyes Blue'. Taylor also hit No. 1 on Billboard's Hard Rock Songwriters chart following the unprecedented debut of 'Black Eyes Blue' and 'CMFT Must Be Stopped', the latter of which has racked up more than four million YouTube views for its star-studded music video. Furthermore, Taylor debuted the pummeling 'Culture Head' during WWE's NXT broadcast on the USA network, illuminating yet another facet of 'CMFT' and showcasing the broad spectrum of this fiery and fearless rock 'n' roll opus, as Taylor touches on lifelong influences ranging from hard rock to classic rock, punk rock to hip-hop. 14-time world champion and EVP of global talent strategy and development at WWE, Triple H, also shared a WWE exclusive performance of Taylor and his band tearing through the MOTÖRHEAD classic 'Ace Of Spades'.
'CMFT' has been a long time coming for Taylor, with newly written tracks alongside some dating back to his teens. Recorded at The Hideout Recording Studio in Las Vegas with producer Jay Ruston and his band — Christian Martucci (guitar), Zach Throne (guitar), Jason Christopher (bass), and Dustin Schoenhofer (drums) — the album traces a wild and exhilarating roadmap through Taylor's musical psyche.
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There are more ways to fall in love with Madlib’s myriad music projects than not. For many it’ll be his charismatic beats for the late, great MF Doom, his collaborations with fellow sampling pioneer J Dilla or more recently, his sleek instrumentals for rapper Freddie Gibbs. Then there’s his remixes of the Blue Note Records archive, his one-man-jazz-band Yesterdays New Quintet, and Lord Quas – his satirical, pitched-up alter ego MC. Madlib’s ability to speak a universal language through so many modes is hip-hop in technique but something much broader in essence. On Sound Ancestors, his creations are arranged by producer, DJ and longtime friend Four Tet. It’s through the idiosyncrasies of this collaboration (such as an abnormally clean mix with uncharacteristically prominent drums) that Sound Ancestors achieves its mission to deliver a no-guest vocalists, start-to-finish-listen Madlib album experience.
Reggae toasts, lo-fi riffs, jazz interludes and snippets of vocal skits pepper the record. Breathtaking lead cut Road of the Lonely Ones combines two tracks from Philly soul progenitors the Ethics to marvellous effect, and follow-up single Hopprock’s strings-and-answering-machine interplay is comparable to Dean Blunt’s The Redeemer. Tribute track Two for 2 – for Dilla is split in half: one part chopped up to conjure a cosmic surrealness while the other’s all soul and groove, with a time-stretched transition lying as a liminal space in between. The album cools off on the density and eccentricity typically expected of Madlib in favour of a more poignant, sincere vision. Madlib channels a deep, intertwining lineage of Black music through Sound Ancestors like folklore oration, storytelling with the sorcery of a beatmaker who knows how to make an instrumental really sing.
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• Sound Ancestors is released 29 January